Pompom cheerleaders11/12/2022 ![]() On the brutally hot-blooded “Lux,” she envisions herself attending the homecoming dance as the eponymous protagonist of The Virgin Suicides, delivering several of the album’s best lines in one fell swoop: “How do you expect me to figure myself out when I cannot tell the difference between bad and good attention?” she roars, evoking Kathleen Hanna’s snarl in a swell of guitar noise.Įlsewhere on Death of a Cheerleader, Berrin falls into a softer, more romantic mode, though its effectiveness varies. She recalls kisses stolen under the bleachers on “Head Cheerleader”: “You should ask your mother what she means/She said stay away from girls like me,” she sings. Martens with her school uniform and perusing cool-girl bible Rookie Mag after class, Berrin alludes to adolescent rebellion throughout Death of a Cheerleader. Informed by her own memories of pairing Dr. Equally indebted to pioneering girl groups as well as her punk heroes, the album is a fiery and compelling-albeit slightly uneven-exploration of love, anger, and coming-of-age. Self-produced alongside Illuminati Hotties’ Sarah Tudzin, Death of a Cheerleader is an amalgam of Berrin’s influences, which span Billie Holiday, riot grrrl bands, and angsty cult films. The album came about partially as a reckoning with her own queerness, as well as with her multiracial identity, which she didn’t see represented in the indie rock world: “Rock was invented by a Black queer woman-Sister Rosetta Tharpe-but I grew up feeling like I was odd for loving guitar-based music,” she explains in press materials. #Pompom cheerleaders movieCribbing its title from another movie about a popular high school girl with a secret, Death of a Cheerleader marks a period of self-acceptance for Berrin. ![]()
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