Closed hands open hands japanese song11/13/2022
He does a good job of describing not only the "how" but the "why" behind it.Thanks for the info on Thile's DVD. He does a good job of describing not only the "how" but the "why" behind it. As he describes it, you should hold the pick so loosely that it's in danger of falling out of your hand (which is good, because I tend to naturally hold it loosely - sometimes I have to consciously tell myself to get a firmer grip or I'll drop the darn thing). Not only with wrist action but with holding the pick. As soon as I adopted his methods, I noticed immediate results, not only in right hand accuracy across the strings, but in tone as well. I'm glad I watched it early on in my mandolin training so I didn't ingrain myself with habits that would be detrimental to my playing. Closed hands open hands japanese song how to#He covers everything from how to hold the pick to pick stroke theory and such. I'm not a salesman or anything, but I would very much recommend buying his DVD on Essential Techniques for Mandolin. So, I appreciate the reasoning behind it.and I'll give 'er a try! Closed hands open hands japanese song free#I guess I like to have an explanation."having free wrist action." When someone says (with all respect to those who want to imitate and emulate those whose music they like), "I do it like _ or _ does it," and imitation being the sincerest form of flattery, it just sounds like a poor reason to do something a certain way. Thanks! I'll try a different grip and see how it works for me. I find it easier to keep a good rhythm going and I don't feel as stiff.Thanks! I'll try a different grip and see how it works for me. But I have noticed that keeping my hand closed and not using an anchor really frees my hand and wrist up. There are a lot of great players on both sides of the proverbial fence, so obviously both can be developed into superb styles. And not that I'm saying any one position is "correct" over another, but Chris Thile brings up a good point in his video when he says using an anchor prevents you from having free wrist action. But it's starting to become natural without any anchor. It made a world of difference in tone, and I'm sticking with it. After watching Chris Thile's DVD, I started using a more closed hand, while still staying loose. When I first started playing mandolin, I used a more open hand because it was what I was used to with the guitar. Closed hands open hands japanese song pro#I do firmly believe-based on taking lessons from a number of pro players as well as helping people with pick hand problems-that this is the best grip for most people. I don't say this is the best grip for everyone (see paragraph 1). Loose fist grip enables you to work more from the wrist which is where most of the music comes from. Extending fingers makes tendons and muscles flex. The benefit of this grip is that it is the most relaxed position your hand and wrist can enjoy. Have about 1/8-1/4" of the pick revealed. Close thumb over pick so first knuckle of thumb and index finger more or less meet up. Curl your index finger up, put the pick on the first knuckle pointing down. Hold hand straight out, perpendicular to your body. The middle ground is the loose, closed fist. There are some great players making more music and money than I ever will out there on the edges but for most people most of the time, the middle ground pays off better. At the edges, you have more unconventional grips (like an open hand or posted fingers or fingertip grip).
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